Don't Look Up
Convinced that a meteorite is preparing to destroy Earth, two astronomers not highly credible in the eyes of the population embark on a media tour to warn humanity of the possible and inevitable end of the world.
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Don't Look Up comes from the mind of Vice and "Great Director" Adam McKay, whose exodus into a vortex of political satire seems as unexpected as the 2016 election result that, even 5 years down the line, doesn't seem It seems so. Stop competing. In a film that sporadically blurs the line between fantasy and realism, it is often difficult to judge where the allegory ends and the teleplay begins.
Documenting the discovery of a 10-kilometre-wide "Planet Killer" on its collision course with Earth, Don't Look For It is more terrifying sci-fi than McKay's previous outburst of surprisingly fascinating biotopes. However, while Cheney's rise to power or the 2008 financial crisis seemed very much within Mackay's scope, For Better or For Wealth, Looks not draws the boundaries of his comedic style and feels like a set of cutscenes from cold-open SNL from a rigorous show. to the escalating climate crisis.
If anything is to be taken from this movie, it's not that Starbucks' culture of racy, ostentatious Twitter extravagance is inherently doomed, but that there are still a few stars and directors left in Hollywood, yet to be hijacked by the giant franchise. , who is still trying to produce original novels geared towards adults. Fronting Don't Look Up is a collection with so many decorations in between that it's hard not to get lost in its glamour. Leonardo DiCaprio co-starred in their first production with the streaming giant on Netflix as the disturbing and disturbing astrologer, Dr. Randall Mindy, and Jennifer Lawrence as his assistant and student, Kate Dipasky.
Unless you're living under a rock, this is Lawrence's first acting gig since the 2018 Red Sparrow. While the spotlight is certainly on her star, the wayward actress is giving another career-defining performance. Whether he has a panic attack on live TV or cuddles under the stars next to Young Turk, Quentin, Lawrence emanates an impressive range despite Mackay's often shoddy direction. This is especially impressive considering the sheer weight of star power the actress has to contend with.
In one scene in particular, Dipasky and Dr. Mindy are taken to the White House for an Oval Office meeting with President Orleans (Meryl Streep) and her beloved son, Chief of Staff Jason (Jonah Hill). Although most of the dialogue is claimed to be improvised here, Lawrence is ruthless and intelligent and her environmental messiness contrasts joyfully with Streep's careless performance.
In moments like these, McKay reminds us that Don't Look Up truly is a squad piece. Just like the ridiculous affair, everyone is here to play in this comedy-drama, but he's a world away from the wit and charisma of his earlier films. Even the tone is blatantly inconsistent. While McKay's signature cutting style makes some exciting sequences of Mother Nature 'going on' in the face of adversity, it doesn't resemble Vice's Macbethian style and feels more like a reality TV show than a doomsday drama.
Part of my criticism of Don't Look Up comes with a real-world catastrophe that seems sensational. As a UN climate ambassador, DiCaprio has emphasized in several interviews that the film's narrative parallels the current climate crisis. From the rise of the MAGA hat wearing asteroid deniers to the transfer of Social Security to the billionaire tech philanthropist, the parallels to current societal contexts and issues are disturbingly bizarre.
However, as a viewer, one simply cannot tell where and when the joke is supposed to land. Everything in this movie is belittled, ridiculed, and dumb to the point of utter absurdity, and while I was happy to see Hill return to the screen, he stood somewhere between a fart joke and a Donald Trump Jr. parody.
When a movie couldn't be more ostentatious about trying to communicate that we're all doomed, one shouldn't root for guilt. In the world of COVID-19, constant political scandals and disinformation, it is clear that McKay's agenda here is neither science nor fact, but a castration of the neoliberal ideologies that have spread democracy in America.
However, there is a tendency for irony to become part of the problem it's addressing, and while Don't Look For It would certainly gain some laughs to ease the Christmas period, Mackay's allegory is a totally ridiculous mistake. It's a shame that the same can't be said about the asteroid it depicts.
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